How to Unleash Your Creativity

"Experts discuss tips and tricks to let loose your inner ingenuity"
By Mariette DiChristina

clipped from www.sciam.com In a discussion with Scientific American Mind executive editor Mariette DiChristina, three noted experts on creativity, each with a very different perspective and background, reveal powerful ways to unleash your creat­ive self. John Houtz is a psychologist and professor at Fordham University. His most recent book is The Educational Psychology of Creativity (Perspectives on Creativity Research) (Hamptom Press, 2002). Julia Cameron is an award-winning poet, playwright and filmmaker. Her book The Artist's Way: A Spiritual Path to Higher Creativity (Jeremy P. Tarcher/Putnam, 2002) has sold more than three million copies worldwide. Her latest book is The Writing Diet. Robert Epstein is a visiting scholar at the University of California, San Diego. Contributing editors for Scientific American Mind and former editor in chief of Psychology Today, Epstein has written several books on creativity, including The Big Book of Creativity Games (McGraw-Hill, 2000). I, too, have found the creative process to be teachable and trackable.

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The 7th of 8 slidesets from the invited speaker sessions with David Rothman and Patricia F. Anderson at the 2008 Medical Library Association annual meeting. Four topics were from Patricia and are here, the other four are in David's account.

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On the Road with Tony Blair

Graphic facilitator Sita Magnuson has been traveling the world, scribing as she goes.

She has scribed for groups in New Dehli, Bangkok. She has scribed for leaders such as Harmid Karzai in Kabul, and most recently, Tony Blair at the Economic World Forum in Egypt--which made Time Magazine on-line!

Visit Sita's website for more travel adventures.

clipped from www.time.com Illustrated Man During a seminar that Blair gave at the World Economic Forum in Sharm El Sheihk, his words (and those of other speakers at the event) were rendered on a white board as he spoke. The comment "You are crazy to try" was made to the former Prime Minister in regard to his effort to bring peace to Northern Ireland.

NPR: High-Tech Pen Makes Note-Taking Easier

I have just tested the LiveScribe SmartPen and might be in love.

This pen is a digital audio recorder and camera built into a large ballpoint pen. It timestamps every note I take using the special spiral-bound notebook with almost imperceptible dot-matrixed paper.

After I finish taking notes, i click the pen on the part of the image or text and the audio recorder plays back whatever was being recorded at that time.

Now, if they can just come out with a 4' x 8' whiteboard version with multiple colors and a portable Aeron chair with lumbar support, I'd be set!

clipped from www.npr.org Morning Edition, April 21, 2008 · A California company has invented a new pen. It features a camera mounted on the nib and a microphone that records audio, along with a docking cradle that allows uploads to a computer. But some note-takers still prefer quiet, old-fashioned pens and paper.

Older Brain Really May Be a Wiser Brain

In working with many diverse groups of people, coming together to solve complex problems, I am absolutely flummoxed by this paradox: young minds struggle with complex, inter-related problems, while "more mature" minds struggle to learn new concepts.

Rather than throw both brains out with the bathwater (what a badly mixed metaphor!) how best do we design collaborative projects and discussions that accommodate all brains, whether wily, worldly or wise?

clipped from www.nytimes.com Yarek Waszul When older people can no longer remember names at a cocktail party, they tend to think that their brainpower is declining. But a growing number of studies suggest that this assumption is often wrong. Instead, the research finds, the aging brain is simply taking in more data and trying to sift through a clutter of information, often to its long-term benefit. The studies are analyzed in a new edition of a neurology book, “Progress in Brain Research.” For example, in studies where subjects are asked to read passages that are interrupted with unexpected words or phrases, adults 60 and older work much more slowly than college students. Although the students plow through the texts at a consistent speed regardless of what the out-of-place words mean, older people slow down even more when the words are related to the topic at hand. That indicates that they are not just stumbling over the extra information, but are taking it in and processing it.

ManBabies.com

I have a new baby. And I am a man. But this site makes me concerned about taking any photographs with my genetic off-spring that might make it on the interweb. ManBabies.com show us a truer side of fathers, and the children we embarrass.

GET MORE AT ManBabies.com!

( Spotted on Kevin Kelly's del.icio.us page!? )

MUTO: An Ambiguous Animation Painted on Public Walls

Imagine creating a 7 minute short animated film using hand drawn black-and-white line drawings. At 12 frames per second, you would have to create 5040 individual drawings.

Now image creating the same number of sequential images but with spray paint on public buildings. That is what this trippy video created in Argentina presents. It is hypnotizing. (Thanks to Matt Andrews)

clipped from blublu.org

MUTO a wall-painted animation by BLU from blu on Vimeo.

Meeting on the Right Side of the Brain

We've been preaching it for years, but I guess it is now news:

Creative work environments improve creative thinking!

Congrats to Leslie Marquard and Catalyst Ranch on leading the piece. Thanks for bringing "right-brained thinking" to a "left-brained" world. (Actually, working in creative environments and using multiple learning modalities inspires whole-brain thinking.)

clipped from www.nytimes.com Steve Kagan for The New York Times By ELAINE GLUSAC | Published: April 30, 2008 WHEN Leslie Marquard, an executive coach, holds strategy sessions for consulting firms or university administrators, she ushers her buttoned-up clientele into rooms full of Pogo sticks, ethnic art, hammocks, vintage furniture and a pillow “harem.” “They are surprised and also endeared by it,” said Ms. Marquard, a co-founder of Marble Leadership Partners in Chicago. The “it” she referred to is Catalyst Ranch, an independent alternative meeting space in a former sausage factory near the Loop in Chicago. “They’ll say, ‘That table looks just like one I grew up with.’ It subconsciously releases the mind.”

Design and the Elastic Mind

Photovoltaic cells grown like ivy, electricity cultivated from your corpse, computer-aided oragami, a pheronome dating agency apparatus,... these are some of the beautiful and bizarre designer objects on display at MOMA.

In the words of the senior curator, Paola Antonelli: "Designers they know that their role is to enable revolution. They are constructive by definition."

clipped from www.coolhunting.com To document MoMA's wonderful, monumental exhibit spanning design, science and technology, "Design and the Elastic Mind," we enlisted the help of the show's esteemed curator, Paola Antonelli. Paola speaks in detail about several of the exhibits, including "The Afterlife," a system for turning corpses into batteries, robots that act as personal climatizers and DNA origami. She also weighs in on her curatorial approach, addressing the role of the designer, her mission to shift public perception of design and how design revolutionizes our lives. As always, but especially in this case, we hope CH inspires you to experience this show firsthand. It's up through May 2008, see details below. If you absolutely can't make it in person, the website, designed by the renowned Yugo Nakamura, is full of information organized into an extremely pleasing UI and the book (available online from the MoMA store) is a must-have resource for designers, educators and the curious.

Quieting the Demons and Giving Art a Voice

Two new books highlight the writing of authors with mental illness.

clipped from www.nytimes.com In Madness: A Bipolar Life, Marya Hornbacher brings to the discussion more than the usual pairing of disturbed brain and talented mind. Her talent has created a third self, an appealing, rueful narrator (read excerpt) who can look back on three decades of manic-depressive illness, much of it untreated, and spin a story that is almost impossible to put down. In the same way that the psychiatrist Kay Redfield Jamison experienced, recorded and then analyzed her own case in the 1995 classic “An Unquiet Mind,” Ms. Hornbacher provides the perfect trifecta of perspectives. More reflections on the same subject can be found in Poets on Prozac: Mental Illness, Treatment, and the Creative Process. This collection of essays solicited from published poets with psychiatric illness. Most of the 16 contributors are decades older than Ms. Hornbacher, but while they may lack her vivid prose style, they do supply a long-term perspective on the terrain. With problems ranging from mild unmedicated depression to schizophrenia treated with an unorthodox megavitamin technique, these writers also focus on trapping the words — and all agree that the sick brain often spells catastrophe for the creative mind. While mental illness may form a part of the creative cycle, if untreated its own cycles invariably take over. “Depression steals the voice,” writes Liza Porter. “Silence breeds depression. Depression breeds silence.”