The Cartoon Lounge
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That’s not to say that every business brainstorming session should turn into a stand-up comedy skit. But the openness and playfulness that characterize improvisational acting can create a sense of cooperation and affirmation that is foreign to highly competitive workplaces. When one worker actively shoots down another’s ideas to help his or her own ideas win, nascent notions that could develop into something brilliant die on the vine.
Instead, Ms. Madson and other improv consultants, including a team out of Portland, Ore., called On Your Feet, are hoping to create what Ms. Madson calls “a culture of ‘yes.’ ”
“Saying yes sounds implicit, but it’s profound,” she says. Barriers go up in front of fresh ideas within moments of their creation, leading to an atmosphere of “we can’t do that,” she says. “The improv idea of saying yes from the start,” she adds, “allows business folks to entertain things that would ordinarily get axed out.”
Ms. Madson has been a senior lecturer in drama at Stanford since 1977; her interest in using improvisation to improve business and education evolved slowly. Brilliant as they were, Stanford students were very good at giving what they perceived as the correct answer to a question, but became much shakier when asked to come up with original answers.
Too often, the student mind — not to mention the business mind — is looking for a formula to latch onto that will provide tried-and-true ways of solving problems. But that can block fresh ways of viewing a situation.
Ms. Madson found that teaching students to respond quickly to what’s already in front of them helped to shake new ideas loose. “Certainly it’s useful for actors,” she notes. “But executives and engineers and people in transition are looking for support in saying yes to their own voice. Often, the systems we put in place to keep us secure are keeping us from our more creative selves.”
Improvisational thinking can open the door to what others call “happy accidents.” There are many examples. The molecule that eventually became Viagra originally was developed to treat hypertension, and later angina. When it failed to do much for either of those conditions, Pfizer nearly killed it. But researchers intrigued by the molecule’s side effects ultimately won permission to continue developing the drug as a treatment for erectile dysfunction.
Even On Your Feet is a result of a spontaneous “happy mistake,” its founders note. “On a wet November Saturday in 1996,” they say on its Web site at www.oyf.com, “two unsuspecting bald guys with glasses met at a bakery in Portland, Oregon, to talk about a T-shirt and instead, by complete accident, formed a consultancy that uses improvisation and other experiential techniques to help organizations create, relate and communicate, all while having a ridiculously good time.”
The firm now employs the talents of “an ex ad planner, an anthropologist, two yoga teachers, a handful of improvisers, marketing executives, a snow cone baron and a former mail carrier/biochemist.” They live in places as varied as Portland, London, Dublin and El Hornillo, Spain.
Robert Poynton, a co-founder, says in an upcoming book that everything from building a house to double-entry bookkeeping requires a generous dollop of spontaneous action to be successful. “For all its accomplishments, indeed, perhaps because of them, the modern world is far from stable,” Mr. Poynton says in an online excerpt from the book, titled “A Turtle and a Guitar Case: Improvisation and the Joys of Uncertainty.” “If anything,” he says, “we know rather less about what is coming next, and how it will affect us, than our ancestors did.”
And so the more spontaneously we respond — the more improvisational we are — the more likely we are to stumble across new and improved methods for resolving problems.
The On Your Feet site tells the story of what it calls a “cool mistake”: “Josephine Dickson married a man who worked for a company that manufactured gauze and adhesive tape. Josephine Dickson was accident-prone. During the first week that she was married to Earle Dickson, she cut herself twice with the kitchen knife. After that, it just went from bad to worse. It seemed that Josephine was always cutting herself. One day her husband had an idea. He sat down with some tape and gauze and a pair of scissors. Then he cut the tape into strips. In the middle of each strip he stuck a little square of gauze. Hence the birth of Band-Aids.”
Even the best-planned businesses can fail, Ms. Madson notes. Improvisers avoid spinning their wheels because they see quickly what isn’t working or, simultaneously, what might be successful that didn’t occur to them at first. Improvisers, by definition, take risks and make mistakes, lots of them, but that’s what leads them in fresh directions.
She acknowledges that it can be hard to wrap the business mind around improv, because improvisers don’t dwell on the future. “The future takes care of itself if we’re building constructively right now,” she says. “You’re throwing out planning as the primary mode of work, but it doesn’t mean you don’t then use known strategies and systems to move forward.”
Mike Kwatinetz, a venture capitalist who is co-founder and general partner at Azure Capital Partners in Palo Alto, Calif., says he believes that improvisational thinking gets new companies rolling in the right direction. “For these young companies, and hopefully forever, you want to have changes all the time,” Mr. Kwatinetz said. “You want to be reacting to what you’re seeing and what you’re doing right and where it’s not working and react to that to try something different.”
Besides, he says, “if you’re working at a job as intensely as we do, you’d better be enjoying yourself.”
Janet Rae-Dupree writes about science and emerging technology in Silicon Valley.
She documents almost everything she does or creates on her website and has just jumped into audio podcasting, too.
clipped from www.loosetooth.com I needed to clean the apartment. Instead of cleaning the apartment, I took pictures of the mess in the apartment. It's a colorful mess. A muffin tin holding plastic bags of beads and some jewelry tools. Haven't worked on jewelry in a long time, so this has been sitting out for a long time. Da guys on the shelf next to the movie chair, owl, creature from the black lagoon, Stripus McGreenley the sock monkey, water bottle, more Mr. Sketch markers, Good magazine. |
Smart Pen uses the Livescribe Paper-Based Computing Platform that turns a spiral notebook into a user interface. The pattern of simple, micro-dots enables a patented dot-positioning system to precisely track the smartpen’s movement on paper. As a result, anything you write – words, numbers or drawings – can be stored, recognized, and intelligently responded to by the Pulse smartpen.
From prehistoric cave walls and charcoal to the modern notebook and fountain pen, the human need for spontaneous self-expression through drawing and writing has endured. People have actively used writing tools and paper, in one form or another, for thousands of years.
Livescribe Chief Executive Officer Jim Marggraff introduces a new solution to this age-old problem and a long-term vision on how paper-based computing will advance the next chapter in mobile computing. Livescribe’s intelligent writing system includes an innovative smartpen and dot paper that together bring traditional paper to life.
By developing a paper-based platform, Livescribe will fundamentally change the way people capture, use and share information with pen and paper, making the possibilities of pen and paper endless. With Livescribe, people will no longer have to settle – they can have the best of both the paper and digital worlds.
At least it was bubbly Katie Couric, who giggled, and not, shouty Bill O'Reilly. I do think that the Daily Show should incorporate the methodology for full effect.
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As designers and facilitators of rich conversations, we serve a valuable role in innovation.
As designers, we can give shape to the results of those conversations. We produce a thing--sometimes called a "work product" or "knowledge object" or "communication tool" or [insert corporatespeak term here].
These work products can take the form of a static model, a complex information graphic, a magazine article, a schematic diagram, a fully interactive website, a private wiki, an unedited blog post, or an airport lobby-sized installation art piece. The form is chosen for the target audience (and.. ah yes, the budget) in question.
Whatever the output, the real heart and soul of the innovation process seems to remain the conversation.
The network members of Social Media Today are playing in the emerging space of new ways to have those conversations.
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In economics, business and government policy,- something new - must be substantially different, not an insignificant change. In economics the change must increase value, customer value, or producer value. The term innovation may refer to both radical and incremental changes to products, processes or services. |
Watch graphic facilitator Steph Crowley create a 35-foot mural over 5 days in high speed--inspirational music included!
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The West Loop’s Catalyst Ranch teamed up with the Art Institute to develop an arts-based corporate training philosophy unlike any other.
Aptly named Art-Work, the program utilizes the museum’s artwork as a medium for teaching communication and other business-related skills.
Catalyst Ranch, which specializes in hosting eccentric off-site meetings and events for various companies, developed Art-Work in conjunction with the Art Institute as an alternative means to the typical corporate teambuilding activities. The day-long sessions use the museum’s vast collections to illustrate and teach business concepts, and also utilize the creative working environment inside Catalyst Ranch to further develop ideas, according to Bobbie Soeder, explorer/matchmaker (aka vice president of sales and marketing) at Catalyst Ranch.
“Arts-based learning isn’t a new concept,” Soeder said. “But we feel that it’s so timely right now with today’s business climate and the push for creativity and innovation.”
The first half of the session takes place at the Art Institute, where co-workers view hand-selected artworks and discuss how some of the various elements can be related to the business world. Art-Work sessions are co-taught by Sarah Alvarez, the assistant director of Adult Programs in Museum Education at the Art Institute, and a corporate facilitator contracted by Catalyst Ranch. Alvarez brings her knowledge of art history and visual learning to each session while a corporate facilitator is chosen based on their specialized knowledge in one of four categories: communication, creativity and innovation, diversity and inclusion and team and leadership development.
The “Art-Work” training program combines art and corporate business.
“I’ll get a group of people in front of a work of art and I’ll ask every one of them to say the first thing they see,” Alvarez said. “Nine times out of 10 you’ve got almost everybody saying something different. It’s this reminder that we all see the world slightly differently and art is a really great way to have those kinds of discussions about how we see it.”
The second half of the session takes place back at Catalyst Ranch where the group reviews the concepts discussed at the museum and works with Alvarez and the corporate facilitator to make solid connections between the art and their particular business issues.
Facilitators are contracted based on their area of specialization, and Catalyst Ranch chooses from a handful of those known as experts in corporate training. If the staff is having difficulty with communication, Alvarez and the corporate facilitator will choose artwork they feel will help the team fine-tune their communication skills, she said. If cooperation, diversity or other sensitive issues are plaguing the group, the co-facilitators can select works from the museum that will create an environment conducive for healthy discussion about the topic.
“The art is beautiful and it’s incredible but there are skills to be refined, discovered [and] honed that apply back to the daily way that group will work with each other,” Soeder said. “It causes people to feel safer because they’re directing their conflict to the art rather than to each other.”
Aside from simply being a means for learning age-old corporate lessons, Art-Work is designed to help employers keep their staffs thinking in creative, innovative ways. By having both an art expert and a corporate guru on-hand, clients are exposed to a dichotomy they might not otherwise have thought to explore, Alvarez said.
“Our driving goal is to engage audiences that think they don’t have time ... for a museum, to realize that, maybe, they do,” she said. “It’s not about coming in with a degree in art history or being able to paint something or other. It goes beyond that.”
Though no Art-Work sessions have been scheduled yet, both the Art Institute and Catalyst Ranch are hopeful based on the history of satisfied clients they’ve each seen in the past. The Art Institute has worked with other businesses, teachers and medical professionals in arts-related programs, and Catalyst Ranch has hosted a slue of creative meetings and events for corporations across the country.
Amy Shannon said she was one of the first to bring her staff to an off-site meeting at Catalyst Ranch when it opened five years ago. Though it may take corporate-types a bit of time to feel comfortable in an arts environment, Shannon believes the Art-Work program has great potential for teambuilding.
“In some ways it puts people on a level playing field because I suspect there’s not too many [people] out there that are in fact themselves experts in the arts,” Shannon said. “It enables people to come at a conversation from a bit of a different slant than what they might normally.”
There is a whole lot of stuff going on this week in the realm of sharing big ideas and visual learning.
First, the International Forum of Visual Practitioners is gathered in Santa Fe, New Mexico to share insight, technology and techniques of graphic recording and facilitation.
So a big shout out to members of our network who are in attendance!
Second, there is a lots of mindblowing stuff being presented in Camden, Maine at Pop!Tech.
www.flickr.com |
Topics include the health of the world's oceans, mapping emotions, the pursuit of happiness, plus remarkable social innovations in lighting, health care and sustainable cities (in China!).
As "house artist", I am perched in the box seat (stage left) working in a mobile painting studio, and producing a painting for each presenter. You can see a Flickr slideshow fo the behind the scenes action here.
Most interesting, you can see real-time videos uploaded by participants using Nokia video phones here. Inclduing a tour of the secret Alphachimp Mobile Paint Studio set up in the Camden Opera House. see video >>
You can peruse all the videos being uploaded by the intriguing characters who make up the sudience and speakers at this incredible event here.
By far, the best on-line capture is being done by bloggers like Ethan Zuckerman.