About

We are a visual learning company that supports business innovation, strategic planning, and collaborative design—
both onsite and online.

learn more
| contact us

Learn to Scribe. Change the World.

Search

Vimeo Twitter LinkedIn Flickr  Blog RSS Blogger
Sign up! Become a part of our community of friends.

Social Media
Powered by Squarespace
Subscribe
Archive

Entries in graphic facilitation (30)

Tuesday
Jul012008

The Cartoon Lounge

Graphic facilitator and intermittent cartoonist for The New Yorker Magazine, Drew Dernavich, announces the launch of The Cartoon Lounge, a blog--or "blorg" according to contributor Zach Kanin--for non-New Yorker content.
clipped from www.newyorker.com
The Cartoon Lounge

Let’s make this clear. This is not The New Yorker magazine. To get a cartoon published in the magazine, we must submit dozens of original ideas every week. The cartoon editor rejects the overwhelming majority of them, and the ones that survive must still make it past the editor and the publisher, and are subject to further fact checking, copy editing, and layout considerations. Getting something uploaded on this blog will be different. For instance, one of us will be eating lunch on top of our computer keyboard, and we’ll set down that half-eaten chicken quesadilla a little too hard, and—BAM!—instant blog post. It will work something like that. And not just weekly, but daily. So, it’s the same cartoonists, but a different process.


blog it

Wednesday
Mar192008

Podcast for Christopher Fuller @ VizThink

Using Design Visuals To Communicate Ideas: A Podcast from Vizthink '08 by Jeff Parks

In late January I had the pleasure of attending the VizThink conference in San Francisco. As an Information Architect I wanted to learn how to use different ideas around design to assist me with “big IA” and “little IA” projects. The folks kind enough to join me in this conversation include:





Monday
Mar102008

On Your Feet: Can Executives Learn to Ignore the Script?

Gary Hirsch in the Portland, Ore., office of On Your Feet, which he helped found. His consulting firm (a self-proclaimed "miniscule multi-national") helps employees loosen up and make “cool mistakes.”

clipped from www.nytimes.com

By JANET RAE-DUPREE Published: March 2, 2008

MANAGERS striving to foster creativity often use the time-worn phrase “thinking outside the box” to encourage workers to come up with something nobody else in the room is thinking. But the improvisational actress Patricia Ryan Madson has a better idea: Look inside the box and take a fresh look at what’s already there.

The author of “Improv Wisdom: Don’t Prepare, Just Show Up,” Ms. Madson helps organizations find new ways to play off one another in an unscripted romp toward what might be. Turning the planning process inside out, she says, is an important part of learning how best to “ready, fire, aim.”

“We’re all creators given the conditions and permission to do so,” she says. “All too often, there are corporate cultures that say: ‘Be creative, but don’t make any mistakes.’ Improv opens doors to doing things a different way.”


In workshops and seminars, improv consultants pull stodgy executives to their feet, creating novel situations to which they must react, encouraging them to move their bodies, jump, say wild things, clap or sing or dance, play with toys, sit on desks, crawl on the floor and generally provide crazy-seeming new points of view. Tension melts away. Competition takes a back seat. And new ideas miraculously start to flow.

That’s not to say that every business brainstorming session should turn into a stand-up comedy skit. But the openness and playfulness that characterize improvisational acting can create a sense of cooperation and affirmation that is foreign to highly competitive workplaces. When one worker actively shoots down another’s ideas to help his or her own ideas win, nascent notions that could develop into something brilliant die on the vine.

Instead, Ms. Madson and other improv consultants, including a team out of Portland, Ore., called On Your Feet, are hoping to create what Ms. Madson calls “a culture of ‘yes.’ ”

“Saying yes sounds implicit, but it’s profound,” she says. Barriers go up in front of fresh ideas within moments of their creation, leading to an atmosphere of “we can’t do that,” she says. “The improv idea of saying yes from the start,” she adds, “allows business folks to entertain things that would ordinarily get axed out.”

Ms. Madson has been a senior lecturer in drama at Stanford since 1977; her interest in using improvisation to improve business and education evolved slowly. Brilliant as they were, Stanford students were very good at giving what they perceived as the correct answer to a question, but became much shakier when asked to come up with original answers.

Too often, the student mind — not to mention the business mind — is looking for a formula to latch onto that will provide tried-and-true ways of solving problems. But that can block fresh ways of viewing a situation.

Ms. Madson found that teaching students to respond quickly to what’s already in front of them helped to shake new ideas loose. “Certainly it’s useful for actors,” she notes. “But executives and engineers and people in transition are looking for support in saying yes to their own voice. Often, the systems we put in place to keep us secure are keeping us from our more creative selves.”

Improvisational thinking can open the door to what others call “happy accidents.” There are many examples. The molecule that eventually became Viagra originally was developed to treat hypertension, and later angina. When it failed to do much for either of those conditions, Pfizer nearly killed it. But researchers intrigued by the molecule’s side effects ultimately won permission to continue developing the drug as a treatment for erectile dysfunction.

Even On Your Feet is a result of a spontaneous “happy mistake,” its founders note. “On a wet November Saturday in 1996,” they say on its Web site at www.oyf.com, “two unsuspecting bald guys with glasses met at a bakery in Portland, Oregon, to talk about a T-shirt and instead, by complete accident, formed a consultancy that uses improvisation and other experiential techniques to help organizations create, relate and communicate, all while having a ridiculously good time.”

The firm now employs the talents of “an ex ad planner, an anthropologist, two yoga teachers, a handful of improvisers, marketing executives, a snow cone baron and a former mail carrier/biochemist.” They live in places as varied as Portland, London, Dublin and El Hornillo, Spain.

Robert Poynton, a co-founder, says in an upcoming book that everything from building a house to double-entry bookkeeping requires a generous dollop of spontaneous action to be successful. “For all its accomplishments, indeed, perhaps because of them, the modern world is far from stable,” Mr. Poynton says in an online excerpt from the book, titled “A Turtle and a Guitar Case: Improvisation and the Joys of Uncertainty.” “If anything,” he says, “we know rather less about what is coming next, and how it will affect us, than our ancestors did.”

And so the more spontaneously we respond — the more improvisational we are — the more likely we are to stumble across new and improved methods for resolving problems.

The On Your Feet site tells the story of what it calls a “cool mistake”: “Josephine Dickson married a man who worked for a company that manufactured gauze and adhesive tape. Josephine Dickson was accident-prone. During the first week that she was married to Earle Dickson, she cut herself twice with the kitchen knife. After that, it just went from bad to worse. It seemed that Josephine was always cutting herself. One day her husband had an idea. He sat down with some tape and gauze and a pair of scissors. Then he cut the tape into strips. In the middle of each strip he stuck a little square of gauze. Hence the birth of Band-Aids.”

Even the best-planned businesses can fail, Ms. Madson notes. Improvisers avoid spinning their wheels because they see quickly what isn’t working or, simultaneously, what might be successful that didn’t occur to them at first. Improvisers, by definition, take risks and make mistakes, lots of them, but that’s what leads them in fresh directions.

She acknowledges that it can be hard to wrap the business mind around improv, because improvisers don’t dwell on the future. “The future takes care of itself if we’re building constructively right now,” she says. “You’re throwing out planning as the primary mode of work, but it doesn’t mean you don’t then use known strategies and systems to move forward.”

Mike Kwatinetz, a venture capitalist who is co-founder and general partner at Azure Capital Partners in Palo Alto, Calif., says he believes that improvisational thinking gets new companies rolling in the right direction. “For these young companies, and hopefully forever, you want to have changes all the time,” Mr. Kwatinetz said. “You want to be reacting to what you’re seeing and what you’re doing right and where it’s not working and react to that to try something different.”

Besides, he says, “if you’re working at a job as intensely as we do, you’d better be enjoying yourself.”

Janet Rae-Dupree writes about science and emerging technology in Silicon Valley.

Wednesday
Feb272008

How I Live: A study of an ethnographic self-study

Graphic facilitator and all-around cool kid, Brandy Agerbeck, sent out this bit of real world documentation of her compact, creative domicile. She writes: " Oh, remember my shiny, pretty apartment in the Reader last year? Well, here's how I really live."

She documents almost everything she does or creates on her website and has just jumped into audio podcasting, too.

clipped from www.loosetooth.com

I needed to clean the apartment. Instead of cleaning the apartment, I took pictures of the mess in the apartment. It's a colorful mess.
A muffin tin holding plastic bags of beads and some jewelry tools. Haven't worked on jewelry in a long time, so this has been sitting out for a long time.
Da guys on the shelf next to the movie chair, owl, creature from the black lagoon, Stripus McGreenley the sock monkey, water bottle, more Mr. Sketch markers, Good magazine.

Tuesday
Feb262008

The Smart Pen: The Past and Future of Pen and Paper

Check out these video demos of the pen that records what you write while recording the audio of the conversation. It also imports both the audio and visual notes into your computer.

Smart Pen uses the Livescribe Paper-Based Computing Platform that turns a spiral notebook into a user interface. The pattern of simple, micro-dots enables a patented dot-positioning system to precisely track the smartpen’s movement on paper. As a result, anything you write – words, numbers or drawings – can be stored, recognized, and intelligently responded to by the Pulse smartpen.

clipped from livescribe.com

From prehistoric cave walls and charcoal to the modern notebook and fountain pen, the human need for spontaneous self-expression through drawing and writing has endured. People have actively used writing tools and paper, in one form or another, for thousands of years.

Livescribe Chief Executive Officer Jim Marggraff introduces a new solution to this age-old problem and a long-term vision on how paper-based computing will advance the next chapter in mobile computing. Livescribe’s intelligent writing system includes an innovative smartpen and dot paper that together bring traditional paper to life.

By developing a paper-based platform, Livescribe will fundamentally change the way people capture, use and share information with pen and paper, making the possibilities of pen and paper endless. With Livescribe, people will no longer have to settle – they can have the best of both the paper and digital worlds.

Thursday
Feb212008

What’s Next, Scooby Doo Reads the News?


It's with a mixture of pride and confusement that I post this article on the recent use of graphic facilitation on a prime time news broadcast.

At least it was bubbly Katie Couric, who giggled, and not, shouty Bill O'Reilly. I do think that the Daily Show should incorporate the methodology for full effect.

INSERT DESCRIPTION

Monday’s New York Times noted that CBS News recently introduced the “Fast Draw,” an animated series using dry-erase markers that tries to shed light on news developments. The feature, created by two new CBS employees, debuted on “CBS News Sunday Morning” last month and appeared on the “CBS Evening News with Katie Couric” on Feb. 8:

But “Fast Draw” is not the only instance of animation on television news, as several readers noted. Three days before the CBS segment, the ABC correspondent Robert Krulwich used cartoon drawings to explain the delegate rules for each party. Andrew Tyndall, a television news analyst, said he preferred the illustrations used by ABC to the metaphors used by CBS.

The Fox Business Network has also dabbled with animation. Each Friday on the new business network’s “Happy Hour” show, a pair of computer-generated characters named Hoofy and Boo present a short cartoon newscast. The segments are created by a financial entertainment Web site called Minyanville.


Thanks to Jarrell McAlister.

Thursday
Jan172008

Innovation Conversations

As designers and facilitators of rich conversations, we serve a valuable role in innovation.


As facilitators, we can create the "safe container" for authentic (and often times emotional or caustic) conversations to occur, and for subtle, deep cultural shifts in thinking to begin.

As designers, we can give shape to the results of those conversations. We produce a thing--sometimes called a "work product" or "knowledge object" or "communication tool" or [insert corporatespeak term here].

These work products can take the form of a static model, a complex information graphic, a magazine article, a schematic diagram, a fully interactive website, a private wiki, an unedited blog post, or an airport lobby-sized installation art piece. The form is chosen for the target audience (and.. ah yes, the budget) in question.

Whatever the output, the real heart and soul of the innovation process seems to remain the conversation.

The network members of Social Media Today are playing in the emerging space of new ways to have those conversations.

Do Conversations Fuel Innovation?

The McKinsey Quarterly recent edition says Innovation has become a primary force in determining company growth, performance, and valuation. Unfortunately, a wide gap exists between executives’ aspirations to innovate and their ability to execute.”

Piers Gibbon writes about “The Innovative Conversation” The title was inspired by the researchers who have shown that “rich conversations”¹ have more value in business than “dehydrated, ritualized”¹ presentations. That “Connections and Conversations … provide the fuel for innovation” ² and companies need “to create a climate … where everyone feels the responsibility and desire to contribute to the organizations innovation performance.”

In economics, business and government policy,- something new - must be substantially different, not an insignificant change. In economics the change must increase value, customer value, or producer value.
The term innovation may refer to both radical and incremental changes to products, processes or services.

Tuesday
Dec042007

Crowley's High Speed Art

Watch graphic facilitator Steph Crowley create a 35-foot mural over 5 days in high speed--inspirational music included!


Thursday
Nov152007

Making Art Work @ Catalyst Ranch

This program combines three of our favorite things:
  1. The Chicago Art Institute link
  2. The ultra-creative environment of Catalyst Ranch link
  3. Our friend and colleague Leslie Marquard of Marble Leadership Partners! link

Article by ALLISON RIGGIO | Contributing Writer | Chicago Journal
http://www.chicagojournal.com/

It may be years since most white-collar businesspeople went to art class, but a new corporate training philosophy might change the way Chicago does business.

The West Loop’s Catalyst Ranch teamed up with the Art Institute to develop an arts-based corporate train­ing philosophy unlike any other.

Aptly named Art-Work, the program utiliz­es the museum’s artwork as a medium for teaching communication and other business-related skills.

Catalyst Ranch, which specializes in hosting eccentric off-site meetings and events for various companies, developed Art-Work in conjunction with the Art Institute as an alternative means to the typical corporate teambuilding activities. The day-long sessions use the museum’s vast collections to illustrate and teach business concepts, and also utilize the creative working environment inside Catalyst Ranch to further develop ideas, according to Bobbie Soeder, explorer/matchmaker (aka vice president of sales and marketing) at Catalyst Ranch.

“Arts-based learning isn’t a new concept,” Soeder said. “But we feel that it’s so timely right now with today’s business climate and the push for creativity and innovation.”

The first half of the session takes place at the Art Institute, where co-workers view hand-selected artworks and discuss how some of the various elements can be related to the business world. Art-Work sessions are co-taught by Sarah Alvarez, the assistant director of Adult Programs in Museum Education at the Art Institute, and a corporate facilitator contracted by Catalyst Ranch. Alvarez brings her knowledge of art history and visual learning to each session while a corporate facilitator is chosen based on their specialized knowledge in one of four categories: communica­tion, creativity and innovation, diversity and inclusion and team and leadership development.

The “Art-Work” training program combines art and corporate business.

“I’ll get a group of people in front of a work of art and I’ll ask every one of them to say the first thing they see,” Alvarez said. “Nine times out of 10 you’ve got almost everybody saying some­thing different. It’s this reminder that we all see the world slightly differently and art is a really great way to have those kinds of discussions about how we see it.”

The second half of the session takes place back at Catalyst Ranch where the group reviews the concepts discussed at the museum and works with Alvarez and the corporate facilitator to make solid connections between the art and their particular business issues.

Facilitators are contracted based on their area of specialization, and Catalyst Ranch chooses from a handful of those known as experts in corporate training. If the staff is having difficulty with communication, Alvarez and the corporate facilitator will choose artwork they feel will help the team fine-tune their communication skills, she said. If cooperation, diversity or other sensitive is­sues are plaguing the group, the co-facilitators can select works from the museum that will create an environment conducive for healthy discussion about the topic.

“The art is beautiful and it’s incredible but there are skills to be refined, discovered [and] honed that apply back to the daily way that group will work with each other,” Soeder said. “It causes people to feel safer because they’re directing their conflict to the art rather than to each other.”

Aside from simply being a means for learning age-old corporate lessons, Art-Work is designed to help employers keep their staffs thinking in creative, innovative ways. By having both an art ex­pert and a corporate guru on-hand, clients are exposed to a dichotomy they might not otherwise have thought to explore, Alvarez said.

“Our driving goal is to engage audiences that think they don’t have time ... for a museum, to realize that, maybe, they do,” she said. “It’s not about coming in with a degree in art history or being able to paint something or other. It goes beyond that.”

Though no Art-Work sessions have been scheduled yet, both the Art Institute and Catalyst Ranch are hopeful based on the history of satisfied clients they’ve each seen in the past. The Art Insti­tute has worked with other businesses, teachers and medical professionals in arts-related pro­grams, and Catalyst Ranch has hosted a slue of creative meetings and events for corporations across the country.

Amy Shannon said she was one of the first to bring her staff to an off-site meeting at Catalyst Ranch when it opened five years ago. Though it may take corporate-types a bit of time to feel comfortable in an arts environment, Shannon believes the Art-Work program has great potential for teambuilding.

“In some ways it puts people on a level playing field because I suspect there’s not too many [people] out there that are in fact themselves experts in the arts,” Shannon said. “It enables people to come at a conversation from a bit of a different slant than what they might normally.”

Friday
Oct192007

IFVP & Pop!Tech

There is a whole lot of stuff going on this week in the realm of sharing big ideas and visual learning.

First, the International Forum of Visual Practitioners is gathered in Santa Fe, New Mexico to share insight, technology and techniques of graphic recording and facilitation.

So a big shout out to members of our network who are in attendance!

Second, there is a lots of mindblowing stuff being presented in Camden, Maine at Pop!Tech.

www.flickr.com




This year, the three-day big-ideas bonanza traverses "The Human Impact," digging deep into "some of the many ways human beings impact - and are impacted by - the world and each other." A rich and diverse group of speakers discusses each topic, from exploring the core source of ideas to the implementations and actual realization of ideas, and ultimately, how new and novel ideas and bottom-up thinking can and will change the world we live in.

Topics include the health of the world's oceans, mapping emotions, the pursuit of happiness, plus remarkable social innovations in lighting, health care and sustainable cities (in China!).

As "house artist", I am perched in the box seat (stage left) working in a mobile painting studio, and producing a painting for each presenter. You can see a Flickr slideshow fo the behind the scenes action here.

Most interesting, you can see real-time videos uploaded by participants using Nokia video phones here. Inclduing a tour of the secret Alphachimp Mobile Paint Studio set up in the Camden Opera House. see video >>

You can peruse all the videos being uploaded by the intriguing characters who make up the sudience and speakers at this incredible event here.

By far, the best on-line capture is being done by bloggers like Ethan Zuckerman.

Page 1 2 3